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The National Piping Centre exists to promote the study of the music and history of the Highland Bagpipe.
Patron: Formerly HRH The Prince Charles, Duke of Rothesay, KG, KT, GCB.
Founders: Sir Brian Ivory CVO CBE FRSE MA CA - Lady Ivory DL MA ARCM FRSA - Sandy Grant Gordon CBE MA.    Read More

Piping Degree

Here you will find everything you need to know about studying on the BMus Traditional Music - Piping degree, which is run jointly by The National Piping Centre and the Royal Conservatoire of Scotland

If you would like to have a look around the RCS campus, head to their virtual tour on their website, where you can see around the building.

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Description

BMus (Traditional Music – Piping) Degree

This the UK’s only Bachelor of Music curriculum dedicated to traditional and folk music, and to the music of the Scottish Highland Bagpipe. Aspiring performers on this course explore Scotland’s unique and dynamic musical traditions as a conceptual, critical and creative framework within which to achieve a historically-informed yet distinctively personal voice as a piper and artist. This is interwoven with a solid basis in contemporary and eclectic performance practice.

The Royal Conservatoire of Scotland and The National Piping Centre offer a specialist degree that allows pipers to study piping within the context of Scottish traditional music to the highest level. This unique degree offers the chance for students to concentrate on the total study of piping in all forms, whilst also developing their performance under some of the best players in the world. Students receive instruction individually and in small groups and workshop settings. The course includes substantial study of the history, repertoire, contexts, traditions, performance practice and organology of the bagpipes, producing expert performers that have a deep understanding of their own, and other, traditions.

The connection between the Royal Conservatoire of Scotland and the National Piping Centre lies at the very heart of the current drive to bring Scotland’s national music to its rightful place in the nation’s cultural life.

The nature of the Highland bagpipe and its repertoire, defined by highly individual and highly complex parameters of performance and musical structure, demands a teaching approach which integrates the instrument with the rest of Scottish traditional music while simultaneously respecting its uniqueness. To that end, two separate degrees have been created – the BMus (Traditional Music) and the BMus (Traditional Music – Piping). The differences here are mainly ones of practicality: the piping degree is carefully structured to give the most thorough grounding possible in all aspects of the piping tradition, including vital specialisms – such as solo piping, pipe band skills, piobaireachd, light music, piping in a folk ensemble context and canntaireachd. However these two academic qualifications share an immense amount of common ground and the institutional emphasis is always on co-operation. This is based on the mutual recognition that a large part of the bagpipe’s future lies in working with other instruments, both from the wider Scottish tradition and beyond. The current results of our collaborations are exciting and thought-provoking in equal measure, and the feeling in the air is that we’re only at the beginning of this cultural and musical journey.

For any aspiring musician, the chance to immerse themselves in the study of their chosen instrument to learn from the masters is a thrilling prospect. That is what the BMus (Traditional Music – Piping) offer to pipers.

Programme structure

Year 1

In your first year, you will consolidate and enhance your performance technique, repertoire and personal style in your principal study instrument, interwoven with development as a critical and creative artist, able to connect and engage critically with your own experience as a piper. An introduction to digital literacy and website design features, as you not only begin to construct your identity as a musician, but interpret it to the world. At the same time, broaden your collaborative musical experience in both a discipline-specific and cross-disciplinary bedrock of practical supporting studies, including group singing, folk ensembles, music theory, studio recording and the consolidation of your skills in programming, performing and calling a ceilidh.

Year 2

In second year, you will continue to nurture and extend your knowledge and practical skills as a soloist and collaborative traditional musician through a broadening exploration of technique, repertoire and style relative to your instrument or vocal tradition. You will expand outwards, exploring historic and social contexts and concepts, and draw relationships between practice, perception and context. You will further nurture your soloist and collaborative composition, arrangement and performance skills and expand your entrepreneurial skillset with reference to licencing issues, intellectual property, marketing, digital music distribution and the option of organising your own tour. You will also begin to tap into the wider array of elective opportunities to be found in the department, the Royal Conservatoire and beyond.

Year 3

Year three will see you develop a solid musical persona through fluent knowledge and expertise informed by your principal study and a consolidation of your critical artistry in research and reflection. You will do this whilst developing your skills in teaching traditional music in a range of environments. You will address essential vocational issues in greater detail, such as self-assessed taxation, contract negotiation, creative arts funding and administration and the option of a formal work placement, in addition to an ongoing array of elective opportunities to be found in the department, the Royal Conservatoire and beyond; thereby continuing to nurture your own distinct artistic specialisms.

Year 4

Year four – the Honours year – occasions a synthesis of your critical, technical and creative development as a traditional musician or piper. In addition to engaging in your own substantial project work, deeply rooted in both tradition and innovation, toward an independent and original contribution to the field, you will continue to take advantage of the array of elective opportunities to be found in the department, the Royal Conservatoire and beyond. The Honours year is student-centred: working to achieve a distinct identity and musical voice within your own established parameters, culminating in a themed final public recital.

Further Information

For further information please visit the Royal Conservatoire of Scotland’s Website:

BMus (Traditional Music – Piping)

Postgraduate Master of Music (MMus)

Or contact:
John Mulhearn
Head of Piping Studies
The Royal Conservatoire of Scotland
100 Renfrew Street
Glasgow G2 3DB
Email: This email address is being protected from spambots. You need JavaScript enabled to view it.

Registry

RCS
100 Renfrew Street
Glasgow G2 3DB
Tel. +44 (0)141 332 4101

Hearing Protection

Hearing Protection

The National Piping Centre requires all students to use hearing protection at all times when playing pipes. Hearing protection is available for purchase in our shop or free of charge from the earplug dispenser in both our piping school venues.

Find Out More

 
 

Steven Blake

Steven is experienced with traditional piping, contemporary folk music and composition and possesses a unique style of playing which sets him apart from his peers. A graduate of the Royal Conservatoire of Scotland Steven is perhaps best known for his work with Scot’s Trad Awards ‘Live Act of the Year 2015’ RURA. In 2020 Steven was appointed to the role of Director of The National Youth Pipe Band of Scotland, bringing his wealth of performance, composition and recording experience to this challenging role.

From his beginnings as a finalist in the BBC Radio Scotland Young Traditional Musician of the Year 2008 he has set about forging a dynamic performance career across the globe from Japan, India, China to the U.S., Canada and all around Europe- including extensively touring the UK. Steven has performed in large scale line-ups such as The Unusual Suspects to intimate solo spots in chamber concerts. He has appeared at some of the world’s most renowned folk festival stages including Heb Celt, Celtic Connections- at The Old Fruit Market in Glasgow- and Tonder festival in Denmark.

He has also taken the stage as a soloist with quite a few orchestral line-ups including the Royal Scottish National Orchestra and the Royal Northern College of Music’s Symphony Orchestra and the Orchestra of Scottish Opera and performed with Opera North in the U.K.’s first Opera to include bagpipes in the score. Other notable musical collaborations have included working with legendary Indian musician Rakesh Chaurasia, touring south east Asia with Judy Collins, as well appearing as a soloist with the Band of the Royal Marines and the NZ Army Band.

Steven is a founding member of Tryst, an ensemble of pipers/ composers exploring new writing techniques for a pipe core. Tryst have created a number of special performances, including appearing at the MG Alba Trad Awards, the annual piping concert at Celtic Connections, a special Celtic Connections concert featuring large scale commissions from each member of the ensemble, and the William Kennedy Piping Festival.

Steven’s main project RURA are a multi award-winning act and one of Scotland’s most sought-after folk bands. With three heralded albums, Rura affirm their position as one of Scotland’s leading instrumental groups. Over the years Rura have collected many of the coveted awards in the folk scene including “Up and Coming Act of the Year” at the MG Alba Traditional Music Awards 2012, nominees for ‘Folk Band of the Year‘ 2013 and were nominees BBC Radio 2 Folk Awards for the coveted ‘Horizon‘ award and are this years winners of ‘Live Act of the Year’ and they were nominated for ‘Album of the Year’ in the MG Alba Traditional Music Awards.

Steven has also kept busy as a writer whose portfolio ranges form solo bagpipe repertoire through to scoring for full Symphony Orchestra. In 2014 he took part in Creative Scotland’s ‘20for14’ project in which 20 writers across the arts were commissioned to create art which responded to Glasgow’s hosting of the 2014 Commonwealth Games. Steven’s ‘Bystander’ project culminated in a suite of 5 pieces fusing impressionism with old and modern folk practices which was performed as part of Celtic Connections and released as an album.

He has also served as Musical Director of the Gordon Duncan Experience which is a trad big band project involving young people from various genres. Recently Steven lead the group in a live performance at the Scot’s Music Trad Awards as well as a celebration of Gordon Duncan’s work collaborating with Ross Ainslie and Ali Hutton at the Perth Concert Hall.

 
 

Ailis Sutherland

Ailis is a piper and flute player from Kirriemuir, Angus. She started learning the pipes at the age of 9 and was taught by her father Alec Sutherland. Ailis joined her local pipe band in Brechin and started competing in the 2006 season in Grade 4A, progressing quickly with the band’s promotions to Grade 3B and Grade 3A in consecutive years. During her eight seasons with Brechin, Ailis enjoyed success in the solos as a junior and was a member of the National Youth Pipe Band of Scotland from 2009 to 2015.

In 2014, Ailis joined Shotts and Dykehead Caledonia Pipe Band and won the Grade 1 World Pipe Band Championships under the direction of Ryan Canning in 2015. Later that year, she moved to South Uist to complete her third and fourth year studies at the University of the Highlands and Islands. There, she learned repertoire and wooden flute technique with Iain MacDonald (Glenuig) and started the folk band “Hecla” (MG ALBA Scots Trad Music Awards nominees). With Hecla and as a soloist, Ailis has been featured on most of BBC Radio nan Gàidheal and BBC Radio Scotland’s traditional music programmes, including “Pipeline” and “Crunluath.” Ailis graduated with a First Class Honours Degree in Applied Music in August 2018, before moving to Glasgow.

She has been lucky enough to perform at festivals and venues around the world including Noite Celta de Porcía (Asturias), National Celtic Festival (Australia), Festival Interceltique de Lorient (Brittany), Piping Live! Festival (Scotland) and in the Czech Republic, Denmark, Ireland, Norway, Romania, Switzerland and The Netherlands.

Ailis is in demand as a piping and whistle tutor at Fèis Bharraigh (Barra), Fèis Tìr a Eòrna (North Uist) and Fèis Rois (Ross-shire) as well as being one of the smallpipes tutors at Scots Music Group in Edinburgh. Since joining the National Piping Centre team in 2019, Ailis has taught on the Young Stars Schools, the Adult Gathering, Study Abroad programmes at the University of Glasgow and the University of Edinburgh, the Oman Military and Police Force training courses as well as delivering general one-to-one and group lessons.

 
 

Finlay MacDonald

Finlay MacDonald has blazed a trail as one of the country’s finest exponents of contemporary and traditional Piping. He has worked with many leading artists in the traditional music scene including Fred Morrison, The Unusual Suspects, La Banda Europa, Old Blind Dogs and Chris Stout. He combines the mastery and dedication of traditional Piping with a true sense of musical adventure and creative collaboration producing a unique musical voice which can be heard on numerous recordings and projects. His Compositions and arrangements have been played by many leading artists including The World Champions, Field Marshal Montgomery Pipe Band.

Always driven by collaboration and innovation, Finlay’s passion for the music he has grown up with led him to the post of “Head of Piping Studies” at the National Piping Centre and the Royal Conservatoire of Scotland. In 2020 he was appointed to the role of Director of Piping at The National Piping Centre where he continues to inspire and develop the very best of Piping talent.

“Finlay MacDonald has emerged as one of the leading lights in the current crop of young pipers with deep roots in the pipe band tradition, but grafted on to a distinctly contemporary musical sensibility to produce a compelling hybrid.”

Kenny Matheison, The Scotsman

 
 

David Wilton

David Wilton started learning at the age of 6 under the instruction of P/M Willie Whyte in Montrose R.B.L. Pipe Band. He soon begun solo piping lessons with Walter Drysdale, competing successfully in the junior solos circuit until progressing into the senior level at 17. David has enjoyed solo success over the years; most recently winning the first Capt MacLellan Memorial Piobaireachd medal in the P/A grade; P/A Highland and Island Piobaireachd competition in Oban and the A Grade Rams Horn Snuff Mull Piobaireachd competition in London.

Previously he has placed 3 times in the silver medal at Oban and Inverness before moving up to the Gold medal. David has won the former winners March, Strathspey and Reel Competition at the Scottish Pipers Association competition and has won a prize on every occasion that he has been invited to the Uist and Barra competition as well as continuing to be a force on the Scottish Highland Games Circuit, winning many aggregate titles over the years.

David has a long running pipe band career playing with City of Brechin Pipe Band, Drambuie Kirkliston Pipe Band, The Clan Gregor Society Pipe Band and ScottishPower Pipe Band and Halifax Citadel Pipe Band. During his time he has been part of 2 World Championship winning bands and has 2 Champion of Champions titles amongst other titles. Currently, this is David's first year as Pipe Major of Grade 2 Lomond and Clyde Pipe Band. 

As well as being one of Scotland’s leading pipers, David has, in parallel with his piping career, enjoyed a successful Highland Dancing Career. He has 192 major championship titles including 7 World Championships, 10 Commonwealth, 13 British Championships and has won championships in Scotland, England, Ireland, Canada, USA, Australia and New Zealand. David retired from dancing as the reigning World Champion and had only been beaten 3 times in his senior career, finishing 2nd each time. He is one of the most sought after dance pipers and lecturers in the field, regularly travelling the world imparting his knowledge of music and dance.

In 2011, David graduated from the Royal Scottish Academy of Music and Drama with 1st Class honours in Scottish Music – his principal study being the bagpipes with other studies in guitar, whistles and border pipes. During his time at the RSAMD he excelled in course modules such as techniques of teaching, which looked at teaching methods for all ages including children and adults with learning difficulties. As well as a full time instructor of the National Piping Centre, David assists in the co-ordination of CLASP competitions with Margaret Dunn and is on the Board for Piping and Drumming Qualifications.

 
 

Alisdair McLaren

Alisdair is from Perth, Western Australia. He began piping at Trinity College, Perth at the age of 13 where he also received tuition from local pipers June Corcoran, John MacMurchie and Malcolm Brown. In 1996 which was his final year of high school, he was promoted to Pipe Major of the Trinity College Pipes & Drums where he led the band to various juvenile championship wins in Western Australia. In the same year he was also a member of the Grade 3 Armadale City Pipe Band when they won the Australian & South Pacific Pipe Band Championships.

Alisdair joined Western Australia Police Pipe Band (WAPOL) in 1997 and was a part of a very successful period for the band winning the 1998 Grade 2 World Championships, 2001 Grade 1 American Championships and a 10th place at the 2004 World Championships Grade 1.

In 2005 whilst still living in Perth, Australia, Alisdair became the first fly in guest player for the world renowned Strathclyde Police Pipe Band, 12 times winners of the Royal Scottish Pipe Band Associations World Pipe Band Championship. In 2006 Alisdair was appointed to the position of Pipe Major of the Western Australia Police Pipe Band which he held for 12 months before relocating to Glasgow in October 2007.

Alisdair is also an accomplished solo piper having won many prizes throughout Australia. At the end of 2008 he joined the ranks of the 11 time World Champions, Field Marshal Montgomery Pipe Band where he has won every Major title including the Scottish, British, European, Cowal, Ulster, All Ireland and World Pipe Band Championships. In 2011 and 2013 Alisdair was a part of the band that completed the “Grand Slam” winning all 5 major championships in one season including the World Pipe Band Championships.

In 2018 Alisdair was appointed Pipe Sergeant of the Glasgow Police Pipe Band where he is currently developing his skills as a leader of one of the UK’s premier pipe bands.

Outside of the competition arena Alisdair is also the Pipe Major of the Royal Edinburgh Military Tattoo’s house pipe band, The Pipers Trail and has lead the band throughout the Royal Edinburgh Military Tattoo in both 2017 and 2018. In 2017 he was very honoured to have been selected to perform as the lone piper for one of the shows. As a part of the Pipers Trail Alisdair has led the band at the Musikfest Der Bundaswehr, Dusseldorf, Germany 2017 & 2018 and also at the Norsk Militaer Tattoo, Oslo, Norway 2018.

Aside from  piping Alisdair is a keen Triathlete having raced in many events throughout Western Australia and Scotland. Since 2014 Alisdair has completed the Ironman UK 70.3, Ironman Edinburgh 70.3, Ironman Wales, Ironman Western Australia and twice raced Challenge Roth in Germany. Recently,  Alisdair completed Ironman Austria which took place in the beautiful town of Klagenfurt.
 

 
 

Margaret Houlihan

Margaret began learning the pipes at age 8 and was initially taught by her father Con Houlihan and Stephen Power (ex Scots Guards).

She moved to Scotland in 1998 to attend the Royal Scottish Academy of Music & Drama where she studied for 4 years and graduated with an Honours Degree in Scottish Traditional Music. While Margaret was at the Academy she joined the Shotts and Dykehead Caledonia Pipe Band, under P/M Robert Mathieson, and with them won the World Pipe Band Championships in Grade 1 in 2000.

Margaret returned as Pipe Major of her local home band, Cullen, in 2006 and in 2007 the band won the World Pipe Band Championships in Grade 3B. The band progressed to grade 2, where they won the All Ireland Pipe Band Championships in 2013.

Margaret is a qualified examiner for the Piping and Drumming Qualifications Board exams (SQA approved) after passing the Institute of Piping Graduate Certificate with distinction in 2004.

Margaret has competed regularly around the Scottish Highland Games circuit and at the Argyllshire Gathering, London and the Northern Meetings. She has also competed in many knockout competitions through-out Scotland. Here are some of her prizes to date include:

  • 1st MacGregor Memorial Piobaireachd (22 and under) Argyllshire Gathering 1999
  • 1st B Grade March, Argyllshire Gathering 1999
  • 1st Strachan Memorial A Grade March Strathspey & Reel, London 2000
  • 1st Duncan Johnstone Memorial Piobaireachd 2001
  • 1st A Grade Strathspey and Reel, Argyllshire Gathering 2003
  • Winner of the Silver Medal at the Northern Meetings 2007
  • 1st A Grade March at the Argyllshire Gathering 2007
  • 5th Former Winners MSR London 2007
  • 5th Former Winners 2/4 March London 2007
  • Islay Inn Knockout Winner 2011
  • Piping for Pints Knockout, Aberdeen 2013
  • Scots Guards Club Knockout Winner 2014
 
 

Captain (Retired) Stuart D Samson MBE

Stuart Samson was born in Laurencekirk and has been playing the pipes since the age of 8. He enlisted into the Army in 1978, as a junior piper and joined the Drums and Pipes of The Gordon Highlanders in 1980. He was appointed Pipe Major of the Gordon Highlanders from 1990 – 1994 and then went on to carry out several Pipe Major appointments including the Pipe Major of the Highlanders and the Warrant Officer Class One Senior Pipe Major at the Army School of Bagpipe Music and Highland Drumming. 

He was commissioned in 2002 and was appointed the Director of the Army School of Bagpipe Music and Highland Drumming in April 2003. He was responsible for providing all the structured musical training for pipers and drummers in the British Army as well as advising the Higher Command and Commanding Officers regarding Pipe Band matters. 

During this time he was also responsible as the Director of Army Bagpipe Music, for coordinating the musical programme and display for the Massed Pipes and Drums at the Edinburgh Military Tattoo. He has considerable experience in this field having first performed in the Tattoo in 1979 and many times thereafter as a piper and Pipe Major. 

Stuart has also been successful on the solo piping circuit over the years, winning the Silver Medal at the Argyllshire Gathering in 1988 and being placed second in the Gold Medal in both Inverness and Oban in 1995 and 1998 respectively, gaining an invitation to the Glenfiddich Championships in 1998. 

Stuart completed his Army service in April 2008 having served 30 years and was awarded the MBE in the Queen’s Birthday Honours in June of that year in recognition for services to Army Piping and a distinguished career. Stuart is currently a part time Instructor at the National Piping Centre teaching on the Royal Conservatoire of Scotland BA Scottish Music – Piping Degree. In addition to this Stuart is also the Director of Music for the Massed Pipes and Drums at the Basel Tattoo in Switzerland, which takes place annually in July.

Stuart Samson is not available for lessons and teaches only on the BMus Piping Degree. 
 

 
 

Clare Lynas

Clare Lynas started piping at the age of seven in her local pipe band, Boghall and Bathgate Caledonia with PM Bob Martin. Throughout her piping career she has received tuition from Ian Speirs, Ian MacFadyen, Tom Speirs and most recently Roddy MacLeod MBE.

An experienced Grade 1 piper, Clare has played with ScottishPower, 78th Highlanders Halifax Citadel and is a current member of Lomond and Clyde pipe band.

Clare enjoyed a successful solo piping career in the junior circuit gaining entry in to the Silver Medal aged 18. She was a student of The National Centre of Excellence in Traditional Music based in Plockton, after which she went on to complete an undergraduate degree in Classical Music at Edinburgh Napier University graduating with First Class Honours. Before starting at the National Piping Centre, she gained a Postgraduate Diploma in Scottish Music from the Royal Conservatoire of Scotland.

Her performance background includes piping at the opening of the Scottish Parliament, finale soloist at the Norwegian Military Tattoo and playing an own composition, commissioned by Alexander McCall Smith, at St. Cecilia’s Hall, Edinburgh University. Clare’s vast experience ranges from solo piping, pipe bands and folk ensembles playing whistles, clarinet and piano.

 
 

Roddy MacLeod MBE

Roddy MacLeod MBE is the Principal of The National Piping Centre. One of the world’s most accomplished competitive solo pipers, Roddy was tutored by piper and composer Duncan Johnstone and has won all of solo piping’s most coveted awards, many of them several times over. He is in keen international demand as a recitalist, judge and instructor. 

He was Pipe Major of the World renowned Grade 1 ScottishPower Pipe Band from 1995 – 2005 during which time he led them to over 45 Grade 1 Championship prizes in major competition including the Cowal Championships and the All-Ireland Championship. In 2008 he led the Spirit of Scotland Pipe Band to the final of Grade 1 at the World Pipe Band Championships after bringing together a group of the worlds top solo pipers and drummers together for a short period of intensive practice. In 2016 the Spirit of Scotland reformed with Roddy at the helm once more, with lead drummer Jim Kilpatrick. They competed at all 5 major championships, winning prizes at British, UK and European Championships, and qualifed for the final of the World Pipe Band Championships, finishing 8th overall. 

With a strong background in teaching, a dedication to the promotion of standards within piping and a zeal to widen popular appreciation of the pipes, he exemplifies the role, task and standing of The National Piping Centre. Roddy is also a Director and a Founder of Piping Live!, the Glasgow International Piping Festival.

Achievements Include:

  • Awarded MBE for Services to Piping 2003;
  • Winner of the Glenfiddich Spirit of Scotland Award for Music 2004;
  • Winner, Kishmul Banner composition competition;
  • Inducted into the Traditional Music Awards Hall of Fame 2012

Solo competition prizes include:

  • Glenfiddich Piping Championship, overall winner (5 times), MSR winner (twice), Piobaireachd winner (10 times);
  • Northern Meetings, Inverness – Highland Society of London Gold Medal, Bicentenary Gold Medal and Clasp (2), Former Winners MSR;
  • Argyllshire Gatherings, Oban – Highland Society of London Gold Medal, Senior Piobaireachd (2), Former Winners MSR (2), and Open Jigs;
  • Bratach Gorm (7 times);
  • Silver Chanter (7 times);
  • Gillies Cup Open Piobaireachd, London (9 times);
  • London Medallion Former Winners MSR (5 times);
  • Scottish Piping Society of London overall champion (7 times);
  • National Mod overall champion (5 times);
  • Uist and Barra overall winner (5 times);
  • Donald MacLeod Memorial Competition overall winner (3 times);
  • Springbank Invitational Overall Winner;
  • Dunvegan Medal;
  • Dunvegan Colonel Jock MacDonald Clasp (4 times);
  • Dr Allan MacDonald Cup for overall winner at Skye (3 times);
  • Highland Society of London Gold Medal, overall winner (Skye) (3 times);
  • Dr Dan Reid Invitational overall winner (3 times);
  • G.S McLennan Invitational overall winner;
  • Scottish Pipers Association overall winner (4 times);
  • Scottish Pipers Association Piping Times Knockout winner;
  • Highlands and Islands Festival Invitational Piobaireachd winner (4 times);
  • Clan Donald Quaich winner (twice);
  • Lochaber Tuagh Or Invitational Piobaireachd winner (3 times);
  • Haddo House Quaich Invitational winner;
  • Scotway Garden Festival 20th Century Piobaireachd winner;
  • Scotway Lord Provost of Glasgow’s Competition MSR (3 times);

Recordings include:

  • World’s Greatest Pipers, Volume 6;
  • Pipers of Distinction series (KRL);
  • Piping Centre Recital Series;
  • RSPS “The Last Piper”;
  • Hebridean Piper video.
  • Roddy MacLeod MBE Piobaireachd Volume 1
 
 

Finlay Johnston

Finlay began learning the pipes at the age of 8 with his Grandfather, Alastair Sinclair, during a summer spent with him at his home on the Isle of Tiree. He began receiving lessons from Ronnie McShannon shortly afterwards and continued to do so since.

Finlay has been surrounded by piping his whole life. His mother, Anne Johnston (nee Sinclair) was a very successful solo piper, being the first woman to win the Silver Medal. His father (Tommy Johnston) was also a successful pipe band drummer and played under Leading Drummer Alex Duthart.

Finlay has played in several pipe bands over his career, most recently with Inveraray & District under Pipe Major Stuart Liddell during their rise from Grade 2 to the top end of Grade 1. He played in The Spirit of Scotland Pipe band under Pipe Major Roddy MacLeod.

In 2020 Finlay was appointed to the role of Head Piping Teacher at The National Piping Centre.

Prior to joining The National Piping Centre, he worked as a reed maker and is a time-served Mechanical Engineer.

Some of Finlay’s main results include:

  • Glenfiddich Overall Winner 2018 & 2019
  • Donald MacLeod Memorial Overall Winner 2019
  • Uist and Barra Overall Winner 2019
  • Northern Meeting Clasp 2016
  • Northern Meeting Gold Medal 2015
  • Argyllshire Gathering Gold Medal 2012
  • Northern Meeting Silver medal 2006
 
 

John Mulhearn

John's piping career began in earnest at the age of nine, under the watchful eye of his father, Brian, and former double Gold Medallist and Pipe Sergeant of Strathclyde Police Pipe Band, Angus J. MacLellan. Alongside close attention to the technical intricacies of the chanter and pipes, a deep appreciation for the music and traditions was instilled at an early age. This rigorous grounding has gone on to influence what has become a wide and varied career as a professional piping teacher and performer.

As a teacher, John's first experiences were gained at Glasgow's College of Piping as an evening class and summer school instructor. This formative experience gave an early insight into the wide variety of ages, backgrounds and learning needs of piping students. Since 2008 John has been a full time member of the National Piping Centre's teaching faculty. The diversity of students attending individual lessons, courses, summer schools, workshops, seminars and online courses at the National Piping Centre, at home and abroad, has enabled John to develop a thoughtful, intuitive and responsive approach to teaching. Equally comfortable teaching the complete basics of holding the practice chanter, through to expressing the nuances of piping's classic repertoire, or mentoring pipers in search of a new approach to their playing, John's teaching style and experience caters for the individual needs of each student. In addition, as a holder of the Piping and Drumming Qualifications Board SCQF Level 8 certificate John is an approved examiner for all PDQB examinations. In 2020 he completed his Masters in piping studies at the Royal Conservatoire of Scotland and was appointed the Head of Piping Studies, the BMus degree course in Traditional Music – Piping run by The National Piping Centre and Royal Conservatoire of Scotland.

As a performer and composer/arranger John's background is varied, showing an equally deep appreciation for the competitive traditions of solo piping and pipe bands as for more contemporary forms of expression. In terms of solo competition John has been a successful competitor on the annual highland games circuit from a young age, winning many awards over the years and in 2012 was runner-up in Highland Society of London's Gold Medal at the Argyllshire Gathering, one of solo piping's most prestigious competitions. Having been involved in a number of pipe bands since the age of twelve John is currently a member of the 'all-star' Grade 1 band Spirit of Scotland. It is in electronic music production that John has been able to stretch his creativity and find new avenues for exploring traditional music, with a number of critically acclaimed releases. John is also a founding member of The Big Music Society, a multifaceted project with the express aim of helping to foster new and creative approaches the piping's 'classical' tradition, Ceol Mor.

 
 

Wilson Brown

Wilson is originally from Crieff, Perthshire, where he started piping at the age of 8, taught by the late P/M John MacKenzie Dunblane. He received tuition from him for the next 28 years.

Wilson played for the local Strathearn Pipe Band in Grade 4, before joining the Vale of Atholl Pipe Band where he enjoyed success in Grade 2 and 3. Having joined Strathclyde Police in 1982, Wilson was a member of the police pipe band winning the Grade 1 World Championship on 5 occasions. He later became a member of the Spirit of Scotland Pipe Band.

Wilson was a police officer for 30 years before retiring from the force in 2012. He was a Chief Inspector and was the Area Commander responsible for delivering policing in East Ayrshire. One of the highlights of his career was as a member of the Glasgow 2014 Commonwealth Games Bid Team where he was responsible for the security planning.

Wilson has a BA in Police Studies and a Post Graduate Diploma in International Event Management from Glasgow Caledonian University

In his solo career, Wilson won the Silver Medal, A Grade Strathspeys and Reels and the Gold Medal at the Northern Meetings. He retired from competitive piping in 1996 to focus on his police career. In 2016 he returned to the competition circuit where he competed in the Clasp at the Northern Meeting for the first time.

On retiring from the police, he worked as a part time instructor at the NPC teaching a range of students working towards SCQF qualifications.In 2016, he became a full time instructor, he holds a level 8 SCQF and is an approved assessor. He is a member of the PDQB and is the PDQB Training Co-ordinator for the NPC.

 
 

Dan Nevans

A native of Airdrie, North Lanarkshire in Scotland, Dan was first introduced to piping by his father John before receiving lessons from Bob McFie, Jim Semple, Logan Tannoch, Pipe Major James Wark, Donald MacPhee and William J Morrison.

Dan was one of the first members of The National Youth Pipe Band of Scotland and holds an honours degree in Applied Music from The University of Strathclyde.

In September 2005 Dan joined then Robert Wiseman Dairies’ Vale of Atholl Pipe Band and began his Grade One career. From 2010 to 2019, Dan was a member of Shotts and Dykehead Caledonia Pipe Band, winning the world pipe band championships in 2015. After a year as part of the management team at The Glasgow Police Pipe Band, Dan has taken a hiatus from pipe bands to concentrate on writing a book and recording original music for an album.”

 
 

Ross Ainslie

Ross Ainslie is one of Scotland’s finest traditional musicians and composers, playing pipes, whistles and cittern. He is renowned for his highly acclaimed solo material, and as a skilled performer and prolific collaborator who performs regularly with bands Treacherous Orchestra – of which he is a founding member – Salsa Celtica, Dougie Maclean, Ali Hutton, Jarlath Henderson, Charlie Mckerron, India Alba and has performed with Kate Rusby, Blue Rose Code, Zakir Hussain, Trilok Gurtu, Capercaillie, Shooglenifty, Carl Barat, Papon, Karsh Kale, Flook, Breabach, Soumik Datta, Tim Edey, Patsy Reid and Hamish Napier.

Born in Perthshire in 1983, Ross began his career as a member of the Perth and District Pipe Band, before joining the Vale of Atholl Pipe Band, where he was mentored by piper Gordon Duncan. Hugely influenced by Gordon’s fearlessly innovative spirit and groundbreaking compositions, Ross began exploring his own abilities as a composer and writing his own tunes, and in 2002 he was a finalist in the prestigious BBC Radio Scotland Young Traditional Musician of the Year competition.

Ross has 3 solo albums to date Wide Open in 2013, Remembering in 2015 and Sanctuary in 2017, he is currently working on his 4th which is due out in spring 2020.

Prestigious industry recognition has come in the form of a multitude of awards,

Won Best Duo at the BBC Radio 2 Folk Awards with Ali Hutton in 2017 and Nominated for the same award in 2018.
Nomination for Musician of the Year at the BBC Radio 2 Folk Awards in 2013, 2016 and 2018.
Nomination for Best Duo at the BBC Radio 2 Folk Awards with Jarlath Henderson in 2014.
He’s also received various awards at the Scots Trad Music Awards,
Nomination for Instrumentalist of the year in 2010.
Nomination for Live Act of the year with Jarlath Henderson in 2008 and with Treacherous Orchestra in 2009 and 2010.
Nomination for Album of the year in 2013.
Treacherous Orchestra won Album of the year in 2015
Ross was also Composer of the year in 2015.
His debut album ‘Wide Open’ was voted 9th out of 50 Top Scottish Albums of 2013 in the Sunday Herald.

 
 

Willie McCallum

Willie is a native of Campbeltown, where he learned piping primarily from his uncles Ronald and Hugh and P/M Ronald McCallum, Piper to the Duke of Argyll.  His roots go right back to the early days of piping competition and his 4 times great grandfather, John MacAlister, won the Prize Pipe in 1782.

This season has seen Willie involved in the normal circuit of competition where he won some of the major events at the Metro Cup NY, Donald MacLeod Memorial, Springbank Invitational as well as major prizes at Inverness and Oban. His most recent success was winning the MSR contest at the Glenfiddich for the 8th time.

Some other notable career wins are the Gold Medals at Inverness and Oban, Senior Piobaireachd Oban (3), Bratach Gorm (4), Silver Chanter (3), Former Winners MSR Oban (5), Former Winners MSR Inverness (4), P/M Donald MacLeod Memorial (9), Springbank Invitational (9), Dan Reid Memorial (7), Donald MacDonald Quaich (3), Former Winners MSR London (5).

He runs his own piping business, Willie McCallum Piping, which involves teaching, as well as selling bagpipes, being consultant to bagpipe maker McCallum Bagpipes Ltd, in Kilmarnock and similarly involved at Bannatyne Ltd, Pipe Bag maker, working on developing bags and moisture control devices.

His teaching career started in the early 1990s and since then he has been involved in teaching several champion pipers who have won Silver Medals, Gold Medals, Former Winners MSR, Clasps and the Silver Chanter.

Willie lives in Bearsden with his wife Christine and has two children, Hailey and Scott.

 
 
 
 

Iain is originally from Carlisle, Cumbria and started piping at 12yrs old receiving tuition from his local pipe band.

He joined the Scots Guards in 1984 completing his training at the Guards Depot in Pirbright. During this time he was taught by PMaj’s Dixie Ingram and Jimmy Banks at the Guards Depot Piping School where he completed his first Edinburgh Tattoo in 1985. Iain joined the 1st Battalion Scots Guards soon after and served with the Regiment for 26yrs, being posted in Pirbright, Germany (x2), Windsor, Edinburgh (x3), Wellington Bks in London, several tours of Northern Ireland and the Gulf War. He Served under PMaj’s Rodgers, MacInnes, Webster, MacKinnon, Donaldson and Selwood. During this time Iain played for most members of the Royal Family, as well as Presidents and Heads of State of several countries. He passed his Army Pipe Majors Course at Edinburgh Castle under the direction of Maj Gavin Stoddart MBE, BEM and WO1 Bruce Hitchins BEM in 1997, and was appointed Pipe Major of the Regiment in 2006 after a year as Pipe Sgt at the ASBM & HD.

Iain had may highlights during his Army career playing in and leading the band during tours and Tattoos all around the world, competitions, concerts and many a Beating Retreat and Trooping the Colour.

After leaving the Army in 2010, Iain worked for five years with CVQO an education charity delivering and assessing BTEC Music Diplomas. During this time he also became a volunteer with the Army Cadet Force and took a role as a PMaj Advisor for the Tri Service Cadet Force Pipes and Drums. In 2014 he took over the position as Chief Instructor/Training Officer, and was promoted to Captain in December of that year. This is a role that he continues in today.

Iain is a qualified PDQB Assessor up to Level 8, and holds the PDQB Tutor and Teaching Certificates. He currently sits on the PDQB board, and is the PMaj of the Scots Guards Association Pipes & Drums (Scotland).

 
 

Andrew Bova

Dr. Andrew Bova began his piping career at the age of 12 in Northwest Ohio under the tutelage of Richard Winslow and Iain Macey. He would go on to receive tuition from the late Alasdair Gillies, Jimmy McIntosh MBE, Andrew Carlisle, and Roddy MacLeod MBE. An avid bandsman, he has played in the Grade 1 Windsor Police Pipe Band, Peel Regional Police Pipe Band, 78th Fraser Highlanders Pipe Band, Shotts and Dykehead Caledonia Pipe Band, and recently joined Field Marshal Montgomery Pipe Band. Under the direction of Pipe Major Ryan Canning, Andrew was a member of the 2015 World Pipe Band Championship winning Shotts Pipe Band. In addition to his band career, Andrew has been a consistently successful solo competitor, having won prizes in the USA, Canada, and Scotland.

Andrew is an alumnus of Carnegie Mellon University, where he completed a Bachelor of Fine Arts (with honours) and a Master of Music, both in piping performance. In 2021 he was awarded his PhD from the University of St Andrews/The Royal Conservatoire of Scotland. His dissertation, Competitive Scottish Bagpipe Repertoire from 1947-2015: Convention, Change, and Innovation, explores the development of competition piping light music repertoire and the decision-making processes of competing pipers. Andrew has presented on his research at universities, academic conferences, and piping workshops; the latter being an influence of his belief in a holistic approach to piping education. As a part of this holistic approach, Andrew’s musical teaching method is heavily influenced by Dalcroze Eurhythmics. Today, Andrew is a piping teacher and Piping and Drumming Qualifications Board assessor for The National Piping Centre in Glasgow.

Andrew’s musical interests and influences extend beyond competitive piping and he has been involved in a number of concerts, recitals, and musical ensembles with performances throughout North America and Europe. He has collaborated with classical orchestras and chamber ensembles on new music premieres and, with his background in classical music, was the Musical Director of the Carnegie Mellon University Flute Choir and served a brief stint as the Assistant Conductor of the Bach Choir of Pittsburgh. Since 2008, Andrew has run a number of fundraiser concerts in the USA for Operation Smile, a charity which helps children born with cleft lips and palates, raising over $15,000 to date.

 
 

David Shedden

David, from Glasgow, started playing pipes at the age of 9. Learning first from his father, Stuart, he went on to have lessons at the National Piping Centre. David was fortunate enough to have many brilliant tutors including the late, great Donald MacPherson, whom many regard as the finest piper of the 20th century.

David graduated from the Royal Conservatoire of Scotland in 2015 with a First Class honours degree in Scottish Music. It was while studying at the RCS he developed a love for composition and began playing the whistle.

As a teacher, David began his career leading various classes at the National Piping Centre while still at university. Since then, he has taught for both Falkirk and Glasgow City Councils within schools, as a tutor on the RCS juniors programme and at various workshops and events organised by Fèisean nan Gàidheal. David is also an examiner for the SQA music exams.

As a piper, he has played at the highest level in pipe bands, playing with Grade 1 pipe bands such as Scottish Power, Boghall and Bathgate and the Spirit of Scotland. He enjoyed considerable success as a solo player in both Piobaireachd and light music and is now an in demand folk musician. David is currently the piper and whistle player in the award winning band ‘Assynt’ who have just recorded their second album and are hoping to start touring again after a pandemic induced hiatus.

Away from piping, David is a keen cyclist and is a self-confessed coffee nerd.

The National Piping Centre exists to promote the study of the music and history of the Highland Bagpipe.
Patron: His Majesty The King.
Founders: Sir Brian Ivory CVO CBE FRSE MA CA - Lady Oona Ivory DL MA ARCM FRSA - Sandy Grant Gordon CBE MA

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His Majesty The King, Patron

with Founders, Sir Brian and Lady Ivory and the Lord Provost Bob Winter on the occasion of the 10th Anniversary of the Opening of The National Piping Centre.

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